While we were staying at Tuli Safari Lodge in Botswana a few years ago we were very fortunate, late one afternoon, to come across a giraffe birth.
It was the stillness of the giraffe that first got our attention. As we approached she moved slightly and we saw why she stood so quietly. She was giving birth, the front legs and nose of her calf already visible. As the late afternoon sun beat down a miracle unfolded before us in the dusty veld in the Northern Tuli Game Reserve.
She strained forward suddenly and the calf’s head appeared and then time stood still as we waited for the shoulders to emerge. It was an anxious wait, which seemed to stretch endlessly into the approaching dusk. If we had noticed her predicament, there was every chance that the reserve’s predators would have too. She looked like a young giraffe and we wondered if this was perhaps her first pregnancy. And then, almost as if our concerns prodded fate, two jackals materialised from the scraggy bushes behind her and she moved off a short distance, luckily not very far and still within the range of our camera lenses. The intruders sniffed the area, lost interest and headed elsewhere to hunt, much to our relief, as Tuli’s jackals can be demons at harassment.
She lowered her long neck again as she pushed and almost imperceptibly more of her calf started to show. Suddenly its shoulders were out and then with incredible grace it arched its long body and landed with a plop on the dusty earth in a great whoosh of amniotic fluid. She licked her new arrival with her long black tongue and nudged it with her nose to encourage it to stand. The calf tottered repeatedly to its feet only to wobble about and collapse in an unhappy heap of shaky knees and trembling limbs. The shadows grew longer as time passed and then in the fading light it finally stood and nuzzled its mother for a drink.
We cheered them both, unashamedly emotional.
For the photographers out there and we going back a few years here. To 2004! We shot these images with the Canon 1Ds (That’s it! Not The MkII, MkIII, etc.) and a 300mm f2.8 lens. The camera with all its 11Mp was a game changer and it was at this stage that we saw the advantages of shooting digital and made the decision to move away from film. We used this camera to shoot (as for as we know) the first wildlife book in South Africa (Tuli – Land of Giants) shot entirely with a digital cameras.
Some interesting facts about giraffes:
Pat de la Harpe